Skip to main content

the journey....


Through the reticulate grill,
a world of sorrow, pain and grief we can see,
full of decaying waste and unclean waters,
that feed the spurts of vegetation around,

in spite of this repugnating sight,
i see a child prancing about,
in the barest of clothes,
he's happy and gay,
and you learn about the simple world out there that is there to see,

a commute of thirty minutes,
can transform your perceptions,
teach you in a way no one ever could,

for all through the lives of the million that you may see,
you see the hurt, the denial and the disdain in them,
but amidst all that are the more pleasing sounds,
like those of laughter, cheer and soulful memories,

which is why you can't move around,
simply thinking that, that is all to thee...

Comments

Radha said…
:)
travelling by mumbai locals does give a different perpspective on life !!
clickable said…
I'm no cynic, but to see optimism in all the poverty is remarkable indeed! Really touching poem.
~ a said…
yeah, it's really a paradox all the way, but they do seem happy which is very ironical and innocent.. :)

Popular posts from this blog

Shaitan

So thanks to some prodding from my friend Shri, I decided to go watch this movie today. I'm not upset I did, but I'm certainly not happy. It was sort of like watching Love, Sex aur Dhokha in a way. Graphic, very close to reality, and loud. The movie begins with Anurag Kashyap saying that it's a just a movie and that he doesn't support the use of drugs, drinking and driving and that it's a fictional story which is debatable because like Dev D he used an actual incident as one of the pivotal moments in the movie, in this case the moment is when 5 kids high on coke, drinks, and generally on life, speed across town and in one of the turns end up killing two people who were on a scooter. They were driving a Hummer. Anyways, to come back to the timeline of things, the movie begins by shocking you. I know I've watched a number of movies which involve sequences of kisses in front of my parents / relatives without flinching. But I would not be able to watch this movi...

Karthik Calling Karthik

After having been completely enamored and in love with the song "Uff Teri Adaa" I couldn't wait to watch the movie finally. The end emotion being, a decent watch, but could've been much better. The movie begins with a very stereotypical life of a guy (Farhaan) who's just not got anything going for him, from a landlord who's hounding him for money, to a boss who's blaming him for everything that goes wrong, to the hot co-worker (Deepika) who just doesn't know of his existence at all! The change that comes into his life, is a call, at 5 am each day, by a man who claims to be "Karthik" himself who guides him to becoming the man that he is. And voila, suddenly, the real "Karthik" begins to stand up for himself, asserts himself in front of his boss, and manages to strike conversation (a rather witty one) with Deepika too! Sitting in the audience, you literally feel like whistling and hooting when you see him walk down the corridor of his...

Hum Tum aur Ghost Review!

There are some movies where you should just choose to leave your head behind and see only the movie. This movie, Hum Tum aur Ghost, is somewhat similar. The plot is fairly simple, you have Arshad Warsi, playing Armaan, a fashion photographer who's a heavy drinker, assisted by a gorgeous Sandhya Mridul, playing Mini, in love with Dia Mirza, playing Ghehna, who's supposed to be the editor of Cosmopolitan (and is not seen under pressure, is not hyper fashion conscious, or busy at all!). That said, you have an entire entourage of "ghosts" who are following Armaan, because he has the "gift" to see, and hear them. Similar to the Sixth Sense, each of them have died having something unfinished and need help from him to complete that deed so that they can move on to heaven... It's interspersed with some comic dialogues, and some great acting esp. by Boman Irani, and Sandhya Mridul. Arshad Warsi fails to evoke the right sentiment of pity, warmth, and affection in ...